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The works of Crash-Stop - Breaking Codes



The family, the school, the army, the factory are no longer the distinct analogical spaces that converge towards an owner—state or private power—but coded figures—deformable and transformable—of a single corporation that now has only stockholders.

Gilles Deleuze




Glitch Art had its rise in the wake of the new millenium. It is a medium with roots deeply in the post-modern era. We can see this lineage in the pieces that are depicted here. Some of the works in this room take up popular symbols from different contexts; others might completely elude interpretation. Crash-Stop's art jumps wildly through genres and styles; medieval and religious symbols, popular culture, science, science-fiction, art, architecture and everyday life blur into each other. By making everything convertible, everything is rendered both meaningless and all-incorporating. The codes that determine our reality are unmasked, and thus broken.

Genuine tale of a vampire






borderland of bad jpgs






slow time patterning








Glitched Tarot










line and bubble










glissando






jericho














new comic book machines








Music for Chameleons






the key of jealous gods












if no other








Untitled III










send dragons






poisened gif








Inside the spiders web






lets get corrupted






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All images and videos shown are created and owned by Crash-Stop, and licensed by him as CC-BY-SA 4.0
The Digital Museum is a project by ThunderPerfectWitchcraft.org. Site design and code is public domain - just take it as you need it.